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The Met Opera’s New Season: What We Want to See
  + stars: | 2024-02-21 | by ( ) www.nytimes.com   time to read: +1 min
Contemporary works will be front and center in the coming season, the Metropolitan Opera announced on Wednesday, with four company premieres among its six new productions. It will be the fifth opera by Adams that the Met has presented, putting him in the same category as Tchaikovsky and Bellini. The lineup is part of the house’s efforts to attract new audiences by embracing contemporary operas, which are outselling many of the classics. The Met is still grappling with headwinds as it works to recover from the pandemic. In January, the company said it had withdrawn nearly $40 million in additional emergency funds from its endowment to help cover operating expenses.
Persons: Jeanine Tesori, George Brant, Moby, Dick, , Jake Heggie, Gene Scheer, , Osvaldo Golijov, David Henry Hwang, “ Antony, Cleopatra, John Adams, Adams, Tchaikovsky, Bellini, Verdi’s, Aida ”, Strauss’s, Salome, Puccini’s, Simon McBurney Organizations: Metropolitan Opera, Met
NEW YORK (AP) — The Los Angeles Opera has scrapped plans for the world premiere of Mason Bates' “The Amazing Adventures of Kavalier & Clay” this fall because of finances. The work will instead open with a student cast at Indiana University's Jacobs School of Music. Cremo sent an email last month to Abra K. Bush, dean of the Jacobs School, suggesting the shift. Bates, 47, won a Grammy Award in 2019 for “The (R)evolution of Steve Jobs,” which premiered at the Santa Fe Opera in 2017 and was coproduced with the Jacobs School. “It's a story about Jewish immigrants changing American culture and certainly that resonates in LA,” Bates said.
Persons: Mason Bates, Clay, Bates, Michael Chabon's Pulitzer, Dorothy Chandler, Christopher Koelsch, Koelsch, , ” Peter Gelb, Gelb, Jeanine Tesori, George Brandt, Evans Mirageas, Paul Cremo, Cremo, Bush, ” Bush, , ’ ” Bush, Bartlett Sher, Michael Christie, Yannick Nézet, Mark Grimmer, Steve Jobs, Gene Scheer, ” Bates, Organizations: Los Angeles Opera, Indiana University's Jacobs School of Music, Metropolitan Opera, Musical Arts Center, LA, Met, Washington National Opera, Cincinnati, Jacobs School, Jacobs, Lincoln Center Theater, Santa Fe Opera Locations: Bloomington , Indiana, America, Abra K, Indiana, New York, LA
How Jewish People Built the American Theater
  + stars: | 2023-11-29 | by ( Jesse Green | ) www.nytimes.com   time to read: +46 min
Let Us Tell You A Story How Jewish people built the American theater as we know it. The theater, which for many Jews was a major way of becoming American in the first place, seems unable to acknowledge that the danger that American Jews face is not just historical, and not just onstage. (Both of Adler’s parents were Yiddish theater stars — her father, Jacob Adler, was a renowned Shylock in 1903.) Embedding their own observation and experience within Stanislavsky’s, along with the best of Yiddish theater and a generous dollop of Freud, they converted the American theater to Judaism. Sara Krulwich/The New York TimesThe Jewish contribution to the creation of the American theater was built on the acknowledgment of a larger humanity alive within each of us, available to some, with natural empathy and rigorous training.
Persons: Glocca, , Lerner, Loewe, , Isidore Hochberg, Burton Lane, né Burton Levy, William Goldman, “ Killybegs, Sammy Davis Jr, Julie Andrews, Connie Francis, Rosemary Clooney, Tommy Dorsey, Davis, , Arthur Miller’s “, joyously, Jason Schmidt, Christine Jones, Miller, I’ve, Marilyn Monroe, Robert Brustein, Neil Simon’s, ” Cynthia Ozick, Sholom, Philip Roth, Simon, Leonard Bernstein, Matt Nadel, Bradley, Bernstein, “ Maestro, Shylock, William Shakespeare’s “, Venice ”, Shakespeare, Christopher Marlowe’s, Farah Karim, Cooper, Bard ”, “ Merchant, Tom Stoppard’s, Sara Krulwich, Ansky’s, Stella Adler, Bessie Berger, Clifford Odets’s, Arthur Miller, Elia Kazan, Francis Joseph Bruguière, Billy Rose, Eugene Smith, Roth, Arthur Schnitzler, Juliet Stevenson, Ruth Wolff, Lorraine Hansberry’s, Sidney’s, Alex Edelman’s “, Leo Frank, Bernard B, Frank, Mandy Patinkin, James Lapine, Stephen Sondheim’s, George, Martha Swope, outspokenness, creatives, Oscar Isaac, Sidney, “ Sidney Brustein, Isaac, Stevenson, Robert Icke, Roman Catholic Cooper, Rachel Brosnahan, Maisel, Joan Rivers —, Brosnahan, Sidney Brustein’s, Alec Guinness, Fagin, “ Oliver Twist, I’m, Micaela Diamond, Ben Platt, Lucille, Alfred Uhry, Jason Robert Brown’s, Rivers, Wolff, Robert, Republic ”, isn’t, LEE Strasberg, Konstantin Stanislavsky’s, Fyodor Ivanovich, Strasberg, Israel Strassberg, Zalmon, Srulke, Joseph Stein, Sheldon Harnick, Jerry Bock’s “, Bette Midler, Jackie Hoffman, Photofest Stanislavsky, Theater’s, Isaac Butler, Stanislavsky, Harold Clurman, George Bernard Shaw, Henrik Ibsen, Clurman, Adler, Jacob Adler, Freud, Rebecca Naomi Jones, Ruthie Rivkin, Jerome Weidman, Harold Rome’s “, John Weidman, disown Strasberg, Sanford Meisner, Bobby Lewis, , Marlon Brando, James Dean, Meisner, Robert Duvall, Lewis, Meryl Streep, Clifford Odets, Jacob Garfinkle, Jules Garfield, Odets, Sam Feinschreiber, Garfield, Ralph Berger, wasn’t, John, Tovah Feldshuh, Golda Meir, William Gibson’s, Aaron Epstein, exigencies, Bessie, Feinschreiber —, loveless, William Fox, Louis B, Mayer, Jack Warner, Marjorie Morningstar ”, Morgenstern, Marjorie, Natalie Wood, Anne Frank ”, Millie Perkins, Audrey Hepburn, Susan Strasberg —, Ibsen, Sholom Aleichem, August Wilson, Daveed Diggs, Thomas Jefferson, Lin, Manuel Miranda’s “ Hamilton ”, Adrian Lester, Emanuel Lehman —, Barbra Streisand, Marmelstein, George Silk, Miller’s, Sophie Okonedo, Elizabeth Proctor, Ben Whishaw, John Proctor, Jan Versweyveld, Don’t, — Bernstein, Stoppard, Schnitzler, Jeanine Tesori, Tony Kushner’s “ Caroline, Sharon D Clarke, Adam Makké, Noah Gellman, Leo, Stoppard —, Hermine, ” Leo Frank, there’s, Matthew Broderick, Eugene Jerome, it’s, Edelman’s, Queens bigots, David Yosef Shimon ben Elazar Reuven Alexander Halevi Edelman, Woody Allen, Joshua Harmon’s, — George Gershwin, Jerome Kern, Richard Rodgers, Porgy, Bess ”, Barns, Alex Edelman, Paula Vogel, Harvey Fierstein, Jordan Taylor Fuller, — that’s, Wendell Pierce, Friedman, Jacobs, Hirschfeld, Gershwin, Rodgers, PAULA VOGEL, BRANDON URANOWITZ, DAVID CROMER, MICAELA DIAMOND, TONY KUSHNER, Diamond, Monica Rich Kosann, Marco Bicego, JESSE EISENBERG, MATTHEW BRODERICK, AMY HERZOG, LESLIE RODRIGUEZ KRITZER, JOEL GREY, Herzog, Michael Kors, Kritzer, Marco, HARVEY FIERSTEIN, LIEV SCHREIBER, ETHAN SLATER, IDINA MENZEL, TINA LANDAU Organizations: Broadway, Broadway’s Lyceum, , of Venice, New York Times, Defamation League, New York Public Library, Performing, Vandamm, Billy, Billy Rose Theatre Division, Performing Arts, New, Jacobs, Empire State, Nazi, Goyim Defense, The New York Public Library, Roman Catholic, New York City, Street, Moscow Art, Group, Hollywood, Disney, Everett, The New York Times, Philadelphia, Brit, Times Locations: Poland, American, kilts, E.Y, Harburg, Kilkerry, Kildare, Philadelphia, New York, Polish, Massachusetts, Vichy, Biloxi, Venice, Malta, of, , Germany, playgoers, Sweden, England, United States, Pittsburgh, Nazi, Brustein’s, Greenwich, Georgia, Gutenberg, , Atlanta, Republic, New, Konstantin Stanislavsky’s Moscow, Russian, America, Moscow, Stanislavsky’s, Clurman, Eastern Europe, Czech, Austrian, Auschwitz, Heini, Southern, Brighton, Rivers, French Republic, “ Brigadoon
It should be noted that, when he was alive, Mr. Sondheim was aware of and amused by rampant tendencies to deify him. Consider this sardonic ditty from a show called “Sondheim on Sondheim,” a 2010 Broadway revue commemorating his 80th birthday. He wrote the song in response to a 1994 headline in New York magazine that asked, “Is Stephen Sondheim God?” His musical answer: “You have to have something to believe in. There’s a half-voiced fear among musical acolytes, understandable in a time in which theater itself is newly under siege, that on some level Stephen Sondheim represents the end of the line for a once-flourishing art form. Yet none, with the qualified exception of Mr. Miranda, seem likely to engender the kind of enduring, passionate cult that Mr. Sondheim has inspired.
Persons: Shakespeare, Auden’s, Yeats, Mr, Sondheim, , , Stephen Sondheim God, I, Stephen Sondheim, Lin, Manuel Miranda, Michael John LaChiusa, Adam Guettel, Michael R, Jackson, Jeanine Tesori, Miranda, Sondheim’s Locations: , New York, There’s
WASHINGTON (AP) — Nearly 10 years after it was first imagined as an opera, “Grounded” is ready to take flight. With music by Jeanine Tesori and a libretto adapted by George Brant from his own play, “Grounded” tells the story of an F-16 fighter pilot who becomes pregnant and leaves the service. The opera has its world premiere at the Washington National Opera on Saturday, with performances continuing through Nov. 13. And next fall it will open the season at the Metropolitan Opera, which commissioned the work. “It’s not a story about, Oh it’s really hard to be a woman in a man’s world,” Cremo said.
Persons: Jeanine Tesori, George Brant, Paul Cremo, It’s, , Millie ”, Jeanine, we’ve, ” Cremo, it’s, That’s, ” Brant, Cremo, he’d, , Tesori, Brant, , Jess, Eric, Michael Mayer, Mimi Lien, ” Lien, Emily D’Angelo, ” D’Angelo, can’t, Daniela Candillari, ” Candillari, ” Critics, WNO Organizations: WASHINGTON, Washington National Opera, Metropolitan Opera, Dynamics Locations: Nevada, Manhattan, Canadian, Eric’s, Wyoming, , New York
“The idea of the hysterical woman trope really does persist today,” the soprano said ahead of Thursday night’s premiere of Rene Orth’s musical adaptation at Opera Philadelphia. An all-woman creative team was commissioned to develop the work by Opera Philadelphia and Toronto’s Tapestry Opera. “I have a lot to say about women’s rights being taken away and how women are treated,” director Joanna Settle explained. Bryce-Davis views Roosevelt Island quite differently following her immersion in the traumatic story. “My sister lives on Roosevelt Island and so whenever I’m in New York, that’s where I am,” she said.
Persons: — Kiera Duffy, Nellie Bly, Rene Orth’s, , you’re, ” Siobhan Duffy Gaffney’s, Bly, Joanna Settle, Britney Spears, Orth, ‘ ” Orth, Hannah Moscovitch, Moscovitch, David Devan, Harold Pinter’s, , ” Moscovitch, ” Duffy, Bess, Missy Mazzoli’s, Lars von Trier, “ I’m, Susannas, Mozart, Donizetti, Judith Blegen, Kathleen, I’m, Will Liverman, Josiah Blackwell, Raehann Bryce, Davis, Lizzie, Anthony Davis ’, Malcolm X, ” Soprano Laurel Pearl, Ratched, Daniela Candillari, Jeanine Tesori’s, Liverman, ” Liverman, ” Candillari, Andrew Leiberman, Bryce, Roosevelt Organizations: PHILADELPHIA, Opera Philadelphia, New York, Toronto’s, Philadelphia, Metropolitan Opera, Opera, Washington National Opera, Philadelphia Museum of Art, Wilma Theater Locations: New York, Vegas, Roosevelt, that’s
NEW YORK (AP) — A Ukrainian composer has been commissioned to write an opera about mothers from that country going into Russia to rescue their forcibly detained children. The Metropolitan Opera and Lincoln Center Theater said Monday that 42-year-old Maxim Kolomiiets will compose the work to a libretto by George Brant, whose “Grounded” with composer Jeanine Tesori premieres at the Washington National Opera on Oct. 28 and travels to the Met in the autumn of 2024. Met general manager Peter Gelb hopes the company can present the new work by 2027 or '28. A piano-vocal score and libretto will be written in the next year or two and a workshop prepared. “It's my hope it will end up as a full-blown opera and hopefully on our stage,” Gelb said.
Persons: Maxim Kolomiiets, George Brant, Jeanine Tesori, Peter Gelb, Vladimir Putin, Maria Lvova, Gelb, Olena, Kolomiiets, Met dramaturg Paul Cremo, ” Gelb, Anna Netrebko, Keri, Lynn Wilson, Organizations: Metropolitan Opera, Lincoln Center, Washington National Opera, Met, Orchestra, Lynn Wilson . Works Locations: Ukrainian, Russia, Ukraine, The Hague, Russian, New York
Yet the award for the major’s most remarkable shot has almost surely already been wrapped up by Cameron Young. With an effort golfing trickshotters could only dream of, the American golfer somehow managed to land a ball in the golf ball holder of a golf cart more than 300 yards away. At the center of a swarm of spectators, stewards, and security was a golf cart, and settled snugly in a compartment at the front-right of that cart: his ball. After a brief discussion with rules officials and – under orders from Young’s caddie Paul Tesori – a quick picture of the ball, the world No. Earlier frustrations soon resumed as Young’s subsequent approach shot went skidding over the green, but he recovered well to make par.
Persons: Cameron Young, Young, Young’s caddie Paul Tesori –, Ben Jared, Rickie Fowler Organizations: CNN, 123rd, Los Angeles Country Club Locations: American
Unscripted or Not, the Tonys Were Mostly Predictable
  + stars: | 2023-06-12 | by ( Jesse Green | ) www.nytimes.com   time to read: +1 min
No writers’ names crawled up the screen at the end of Sunday night’s telecast of the Tony Awards, and though the writers might not like to hear it, their absence made little difference. The names of the show’s producers and director were the same as always, and in television as in the theater, they call the game. Mostly those things bore out the predictions, and many people’s predilections too. “Kimberly Akimbo,” the sweet, intimate, tragicomic “nerdical” by Jeanine Tesori and David Lindsay-Abaire, won the most musical prizes, including one for its star, Victoria Clark, and one for the show itself. “Some Like It Hot” followed with a reasonable haul, and though “Parade” picked up just two, they were good ones: best direction of a musical and best musical revival.
Persons: Awards, , “ Kimberly Akimbo, Jeanine Tesori, David Lindsay, Abaire, Victoria Clark, Organizations: Writers Guild of America, Paramount, Broadway
Tony Awards 2023: Highlights and winners
  + stars: | 2023-06-11 | by ( ) www.reuters.com   time to read: +2 min
[1/25] The cast of "Sweeney Todd: The Demon Barber of Fleet Street" perform onstage at the 76th Annual Tony Awards in New York City, U.S., June 11, 2023. REUTERS/Brendan Mcdermid - HP1EJ6C05QLC2See pictures and a running list of winners at the 76th Tony Awards, the highest honors in American theater. BEST MUSICALKimberly AkimboBEST PLAYLeopoldstadtBEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A PLAYPrima Facie: Jodie ComerBEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A PLAYGood Night, Oscar: Sean HayesBEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A MUSICALKimberly Akimbo: Victoria ClarkBEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A MUSICALSome Like it Hot: J. Harrison GheeBEST PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE IN A MUSICALKimberly Akimbo: Bonnie MilliganBEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A MUSICALShucked: Alex NewellBEST PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE IN A PLAYThe Sign in Sidney Brustein's Window: Miriam SilvermanBEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A PLAYLeopoldstadt: Brandon UranowitzBEST BOOK OF A MUSICALKimberly Akimbo: David Lindsay-AbaireBEST REVIVAL OF A MUSICALParadeBEST REVIVAL OF A PLAYSuzan-Lori Parks' Topdog/UnderdogBEST DIRECTION OF A MUSICALParade: Michael ArdenBEST DIRECTION OF A PLAYLeopoldstadt: Patrick MarberBEST CHOREOGRAPHYSome Like it Hot: Casey NicholawBEST ORIGINAL SCOREKimberly Akimbo: Jeanine Tesori for music and David Lindsay-Abaire for lyrics. BEST COSTUME DESIGN OF A PLAYLeopoldstadt: Brigitte ReiffenstuelBEST COSTUME DESIGN OF A MUSICALSome Like it Hot: Gregg BarnesBEST ORCHESTRATIONSSome Like it Hot: Charlie Rosen and Bryan CarterSee picotures and a running list of winners at the 76th Tony Awards, the highest honors in American theater.cNew York, New York: Beowulf BorittBEST SCENIC DESIGN OF A PLAYLife of Pi: Tim Hatley and Andrzej GouldingBEST LIGHTING DESIGN OF A MUSICALSweeney Todd: Natasha KatzBEST LIGHTING DESIGN OF A PLAYLife of Pi: Tim LutkinBEST SOUND DESIGN OF A PLAYLife of Pi: Carolyn DowningBEST SOUND DESIGN OF A MUSICALSweeney Todd: Nevin SteinbergOur Standards: The Thomson Reuters Trust Principles.
Persons: Sweeney Todd, Barber, Tony, Brendan Mcdermid, Tony Awards, Kimberly Akimbo, Jodie Comer, Sean Hayes, Victoria Clark, Bonnie Milligan, Alex Newell, Miriam Silverman, Brandon, David Lindsay, Lori Parks, Michael Arden, Patrick Marber, Casey Nicholaw, SCORE Kimberly Akimbo, Jeanine Tesori, Abaire, Brigitte Reiffenstuel, Gregg Barnes, Charlie Rosen, Bryan Carter, Tim Hatley, Andrzej Goulding, Natasha Katz, Tim Lutkin, Pi, Carolyn Downing, Nevin Steinberg Organizations: REUTERS, Prima, Victoria Clark BEST, Michael Arden BEST, SCORE, theater.c, Thomson Locations: New York City, U.S, York , New York
from Yale is in music. She followed up that show with two more Broadway musicals, “Rodgers and Hammerstein’s Cinderella” (2013) and “Gigi” (2015). Around 2018, she set aside a solo show she’d been making about the impact of music on her life, worried that she might run out of voice onstage. “I had to fall in love again with myself and figure out how to love myself as I was changing,” she said. But it’s not that she can’t hit the high notes anymore, even if only one song in the pop-style “Kimberly Akimbo” asks her to.
When the Washington National Opera announced that it would open its coming season with the premiere of “Grounded,” a new opera exploring the psychological toll of drone warfare, its star composer, Jeanine Tesori, got less attention than its listed sponsor: General Dynamics, the military contractor. Anger erupted online, with critics accusing Washington National Opera of serving as a mouthpiece for the defense industry. A think tank that advocates military restraint labeled it a “killer drone opera.” New York magazine gave the opera a “despicable” rating on its Approval Matrix, describing it as “the drone-bombing opera ‘Grounded,’ sponsored by General Dynamics.” RT, a state-owned Russian news outlet, said the work showed the strength of the American military-industrial complex. The creative team behind “Grounded,” an adaptation of an acclaimed Off Broadway play, and the Metropolitan Opera in New York, which commissioned the opera, grew disturbed by how the new opera was being portrayed. They worked behind the scenes to push the Washington National Opera to make it clear that General Dynamics, which has been a major sponsor of the opera company since 1997, had nothing to do with the creation of the opera.
He has turned, often, to the show’s star, Victoria Clark, for guidance. She’s a 63-year-old Tony winner (for “The Light in the Piazza”), and he’s a 19-year-old novice, and in the show they both play high school students who are about 16 years old. “How to not stay up late and play video games. It definitely took a step up in maturity for me to be working in the professional world. I’m still figuring out a lot of things.”Tesori remembers a day when she ran into Cooley on his way to Trader Joe’s and he blurted out “Hey, how do you cook?”
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